The Death of Bees (2013)
Lisa O’Donnell
Harper ISBN
978-006220847
* * * * *
Are you a fan of great opening lines? How about this one? “Today is Christmas Eve.
Today is my birthday. Today I am fifteen. Today I buried my parents in the backyard. Neither of them were beloved.” Those words come from Marnie Doyle, one of the three protagonists of Lisa O’Donnell’s stunning, moving, debut novel. As the words suggest, Marnie’s the female equivalent of a manchild (womangirl?)–grown up enough to be screwed up in a lot of ways (sex, drugs, cynicism) but also that volatile mix of adolescent maturity and pre-teen vulnerability. She’s also the closest thing her 12-year-old sister, Nelly, has to a real mother and the only thing standing between state custody for both of them.
Today is my birthday. Today I am fifteen. Today I buried my parents in the backyard. Neither of them were beloved.” Those words come from Marnie Doyle, one of the three protagonists of Lisa O’Donnell’s stunning, moving, debut novel. As the words suggest, Marnie’s the female equivalent of a manchild (womangirl?)–grown up enough to be screwed up in a lot of ways (sex, drugs, cynicism) but also that volatile mix of adolescent maturity and pre-teen vulnerability. She’s also the closest thing her 12-year-old sister, Nelly, has to a real mother and the only thing standing between state custody for both of them.
The novel is set
in a grim Glasgow housing estate–the sort populated by working-class folks
damaged by poverty, substance abuse, and hopelessness built up by a lifetime of
being kicked down. Marnie is right; her parents, Gene and Izzy (Isabel), were
not beloved. In fact, they were viewed as so irresponsible that few of the
girls’ neighbors bother to question Marnie’s assertion that they are simply on
a prolonged holiday with an open-ended return date. (Gene and Izzy had left
their kids plenty of times before.) Marnie’s goal is simple: to make it till
16, when she can be declared Nelly’s legal guardian and the secret of how Gene
and Izzy died can be revealed. It won’t be easy. Nelly is a language savant and
violin prodigy who does brilliantly in school, but she’s also a high-functioning
autistic prone to living in a fantasy world. Plus, she’s as tired of being good
all the time as her sister is of being the bad girl. Marnie is savvy enough to
do decently in school as well, achievement that surprises everyone but she, as
it provides cover for some of her less-mature decisions. But, seriously, how
can she hope to support herself and Nelly? Even if both girls were playing with
a full deck, how could they feed, clothe, and house themselves?
That’s a question
that occurs to their neighbor, Lennie, a cultured gay man who unfairly carries
around the label of being a sex offender. He doesn’t know where Gene and Izzy
are either, but he knows kids in trouble when he sees them. Lennie takes to
inviting the girls for meals, walks, and chat. Thus begins one of the oddest
friendships in literature, and thus unfolds a story that is, in turn, grisly
and touching, cruel and kind, tender and cold-hearted. O’Donnell tells it by
alternating chapters from the points-of-view of Marnie, Nelly, and Lennie.
I won’t pretend
that The Death of Bees goes down
easy, but it is a book you will tear through as it’s tearing you apart. One reviewer
aptly compared O’Donnell’s book to the Jennifer Lawrence film Winter’s Bone. (It was my favorite film
of 2011.) Like Winter’s Bone, you
want to scream at the injustices facing the girls and their would-be savior, but
you’ll also marvel over the inner strength upon which damaged people draw just
to get from Monday to Tuesday. This book will make you weep, laugh, and quake
with rage. And you will hard pressed to read anything that’s half as good. --Rob Weir
Postscript: Yes, the odd title relates to the book. Find out
how!
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