THE STORY OF EDGAR SAWTELLE (2009)
David Wrobleski
Ecco, 608 pp. ISBN:
978-0061374234
* * * * *
Have you ever loved a pet so much that you imagined that it
understood you better than most people? Do you recall your first childhood dog
and how you felt safe and affirmed in its presence. If so, The Story of Edgar Sawtelle will be your kind of novel. David
Wrobleski’s debut novel first appeared in 2008 and immediately went into
reprint. Movie rights were recently optioned to two powerful producers with the
resources to bring it to the screen: Tom Hanks and Oprah Winfrey.
The first third of this book is truly a boy and his dog
story. The boy in question is the titular Edgar Sawtelle, the miracle child
born to Gar and Trudy Sawtelle after a series of miscarriages that would have
left a woman less determined than Trudy to stop trying. The Sawtelles are dog
breeders in northern Wisconsin near the Chequamegon National Forest (which
factors into the narrative). Edgar is everything his parents could want—bright,
dutiful, kind—with one exception: he cannot speak. Doctors are baffled as he
hears just fine, learns quickly, and has no discernible damage to his vocal
cords. Nonetheless, Edgar’s is a world is which he communicates by sign
language and written notes.
That’s fine by Gar and Trudy, as they’re already accustomed
to signing—in their dog training. Sawtelle dogs are special. Forget Charles
Darwin and think Gregor Mendel. Thanks to breeding methods developed by Gar’s
father, Sawtelle dogs are not purebred show dogs, but something even better:
independent animals that intuit human needs, but which also respond to visual
commands with unfailing obedience. Nobody can buy a Sawtelle puppy; it takes 18
months of exacting training to create such a dog. Edgar’s first experience with
a Sawtelle dog is through his faithful companion, Almondine. If you’ve ever
owned a dog, the novel’s few chapters that see through Almondine’s eyes will
seem so “right” to you that you may tear up in remembrance of when you first
felt that human/canine bond. In Edgar’s case, that bond is exceptionally
intense as he communicates as much on Almondine’s level as that of “normal”
human interaction. He is, in essence, a bipedal Sawtelle dog.
Wroblewski takes us inside the dog-training barn, the
meticulous recordkeeping required to run a breeding program, and the human
dynamics of the Sawtelle nuclear family unit. The nostalgic feel of the book’s first third is interrupted
when Gar’s brother, Claude, shows up. The brothers also have a bond, but not
necessarily a good one; Claude is the rogue of the Sawtelle human litter. The
books middle section plays on fraternal tensions, and the last third takes a
more tragic/sinister turn. Parts of it are evocative of Hamlet, but I don’t wish to give anything away.
The novel’s tonal shifts failed to charm some critics,
though Wroblewski won several first-novel prizes. It’s a long book that
occasionally rambles but, to my eyes, in the way that a noble beast might amble
across a field. Several critics also found dramatic turns to rest upon too many
contrivances—a critique I do not share. Unforgettable characters more than
compensate for whatever literary graces the novel lacks. You will feel as if
you know the Sawtelles and Almondine, but an especially deft touch is the
manner in which Wroblewski makes secondary characters vivid. Appropriately,
each dog also has a discernible and distinct personality.
I adored this book. Again, I won’t elaborate, but there’s a
very subtle scene in this book that tugged on my heartstrings in a way nothing
has since I saw Old Yeller as a kid.
Yes, it’s that kind of book—not one for cynics, literary snobs, or those with a
low tolerance for sentimentality. The rest of you can gobble this like a hungry
dog in front of a fresh bag of kibble.
Rob Weir
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