KATE LYNNE LOGAN
Echoes
NoiseTrade
★★★★
If you twisted my arm, I’d admit that Echoes is an unusual choice for my album of the month, but it’s
hard to resist a voice as gorgeous as that of Seattle-based Kate Lynne Logan. Echoes is an album of quiet power from a singer who instantly puts
one in mind of both Patty Griffin and Ruth Moody (Wailin’ Jennys). The opening
track*, “Whiskey Sea,” sets the tone. It’s a song about the calm after the
storm within a tempestuous relationship: Silent
in the upstairs/dark in the rooms/long neck bottles on the floor/rain on the
roof/I know I shouldn’t stay inside another night/but I’ve got you on my mind.
Ms. Logan sings it with piano
accompaniment and a complete lack of pretense, and when you’ve got a voice like
hers, why drown it in studio production or diva diversions? “River and theRain” is equally vulnerable” and it too is deliberately paced. Ditto the
remaining eight tracks. So if you told me that every track on the album is down
tempo and that Echoes could use some
changes of pace, I’d agree. Sort of.
I’d admonish, however, to listen for the subtle
distinctions—the lonely fiddle in “Afterlife,” the slides and elides in
“Embers,” the sweetness of “Calling on Angels,” and the contrasting desperation
embedded in a line such as: I can’t stand
here watching everything around me die from “Echoes.” “Walkin’ in theWorld” reminds me of a non-trad material from Josienne Clarke and Ben Walker,
with the added twist of the contrasting interplay between dark guitar cadences
and brighter keyboard notes. The album’s nine tracks are a combination of
reworked material from earlier Logan projects, plus new material. She has
shared stages with Shawn Colvin and Brandi Carlile, company you don’t keep
unless you have the voice worthy of the billing. She’s also fronted a pop-rock
band (Back Bar Angel), so instead of calling this a down-tempo album, let’s say
that Logan decided to strip away some glitter and keep things simple. Label
this one a small gem—a beautiful mix of folk and alt.country that’s nighttime
music for grownups.
Rob Weir
* This is the first track on the
download edition. Oddly, it's the last track on the CD.
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