American Reckoning: The Vietnam War and Our National Identity. By
Christian G. Appy, Penguin, 2016, 335 pp. plus notes, bibliography, index.
Note: Saigon fell to advancing South Vietnamese troops 42 years ago yesterday. This review originally appeared at: https://nepca.blog/
Nations seldom exit wars as they entered them. In an
important new book, University of Massachusetts Amherst professor Chris Appy
argues that, though the Vietnam War ended thirty-two years ago, the United
States continues to struggle with its results. He even asserts that with
"the possible exception of the Civil War, no event in U.S. history has
demanded more soul-searching than the war in Vietnam," a conflict that
"provoked a profound national identity crisis, an American reckoning"
(x). A short list of its impact includes the shattering of "the central
tenet of American national identity–the broad faith that the United States is a
unique force for good in the world, superior not only in its military and
economic power, but in the quality of its government and institutions, the
character and morality of its people, and its way of life" (xi-xii).
Few scholars have a better grasp of Vietnam and the workings
of the military-industrial complex than Appy. He mines an array of primary
sources in this study, but he also understands that popular culture frequently
embodies a better understanding of how Americans see their past. Hence, Appy
also draws upon movies, advertisements, novels, music, and other such sources
in a book that begins with the question, "Who Are We?" and ends with
observations of "Who We Are." The book is divided into three
sections: "Why Are We In Vietnam?", "America at War," and
"What Have We Become?". An
example of Appy's unorthodox but deeply enlightening approach comes in a chapter
titled "Saving Vietnam." It builds upon Deliver Us From Evil, a 1956 best-selling book from Thomas A.
Dooley, which Appy uses to show the deep roots of U.S. misunderstanding of
Vietnam, and to place under the microscope Americans' self-deceptions. This
journey takes Apply into the geopolitics of post-World War II, as well as into
the sermons of Fulton Sheen, Cecil B. DeMille's rants on "godless
communism," the exceptionalist pronouncements of Henry Luce, and the
naïveté of films like South Pacific.
Students of the war won't find much new in what Appy relates about the
illogic of American reasons for entering Vietnam or the inappropriateness of
how the war was conducted. His revelations lie in his innovative narrative and
in the depth of how various missteps continue to impact society. For example,
in his look at American soldiers ("Our Boys") he sets the stage for understanding
the gap between admiration for U.S. warriors and rejection of their cause. It's
hard to find common ground between —on one hand, the film The Green Berets, Barry Sadler's hyper-patriotic ballad of that
title, and Merle Haggard's middle finger to the counterculture and — on the
other hand —revelations of My Lai, the rise of the antiwar movement, former
Green Beret Donald Duncan's excoriation of the American way of war, and the
spate of songs and movies critical of the conflict and those who conducted it.
In his final section, Appy turns his capacious mind to
Vietnam's impact. Among its effects is the "Victim Nation" (221-49), a
simultaneous sense that American ideals have always been under attack,
"willful amnesia" (224) concerning Vietnam, a loss of faith in
American institutions, a reconfiguration of GIs as "the primary
victims" of the war (241), and a contradictory go-it-alone attitude as
seen in films such as Rambo.
Conservatives from Ronald Reagan on have fanned post-Vietnam
disillusionment and disunity to argue for a reinvigoration of American
supremacy. Indeed, though Appy's book went to press before the 2016 election,
it's easy to cast Donald Trump's "Make America Great Again" slogan in
this light. But Appy incisively captures the problem facing the sloganeering of
both right and left in his chapter "No More Vietnams." As he captures
it in vignettes, such bromides can justify both the 1983 mass force invasion of
Grenada and the antiwar activism of Brian Willson four years later.
Appy ends his book with bleak notes and a clarion call. He
sees Vietnam in the war in Iraq, noting that it took President Obama three years
"to find an exit" for a "war that began in March 2003 with
'shock and awe' [and] ended almost nine years later in head-shaking silence"
(305). 9/11 brought back American exceptionalism, even support for the idea of
empire. These took their place aside new contradictions: the national security
state and attempts to manage the news versus leaked revelations of misconduct
such as that of David Petraeus and troops at Abu Ghraib; the valorization of
Pat Tillman versus a lack of public support for the mission in Iraq; and belief
in "global hegemony" versus critiques on the right and left that see
it as "expensive, destructive, and antithetical to republican institutions"
(319). By 2009, a scant 24% of Americans saw any value in the Iraqi conflict.
Shades of Vietnam indeed! But how does one reconcile this with a 2010 poll in
which 80% affirmed that the USA has a responsibility to lead the world? You
don't. In Appy's words, "As long as we continue to be seduced by the myth
of American exceptionalism, we will too easily acquiesce to the misuse of
power…." Our best hope is to "seek a fuller reckoning of our role in
the world that the Vietnam War so powerfully awakened…. It is our record; it is
who we are" (335).
Rob Weir
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