The Red Lotus (2020)
By Chris Bohjalian
Doubleday, 400 pages
★★★ ½
He could not have
timed it this way, but Chris Bojhalian’s new novel, The Red Lotus, will
certainly resonate with current fears (obsession?) with the Covid-19 virus. The
Red Lotus is a thriller in the spirit of The Andromeda Strain, The Year
of the Flood, The Last One, or a Ken Follett novel.
It begins
innocently enough. Alexis Remnick, a former cutter, has slowly rebuilt her life
as a stoic doctor who gets her adrenaline rush by working in the emergency room
of a large New York hospital instead of the razor’s edge. It’s just what she
needs, a sprawling and anonymous place that’s so large she’s never even been to
the fifth floor, where all things administrative occur. Ironically, her
recently steady boyfriend, Austin Harper, is both a former patient she once
treated for a gunshot wound sustained at a bar and an administrator on that
very floor she’s never visited.
Workplace romances
are generally a lousy idea, but this one is working so well that Alexis jumps
at the chance to accompany Austin on a group cycling tour of Vietnam. He has
done it before and assures her it’s fabulous, hence Alexis’ biggest worry is
that he is a serious competitive biker and she’s the do-a-loop-around-the-park
gal. Vietnam is all that Austin promised until–in thrillers there’s always
an “until”–one cyclist hurts his knee, the guide decides everyone needs a rest
day, and he cancels a leg of journey. Everyone except Austin is content to luxuriate
by the hotel pool. He actually wanted to do that day’s grueling uphill ride to
challenge himself and to pay homage to the spot where his father was wounded
and his uncle was killed during the Vietnam War. Because he has done the tour
before, the guide agrees to let Austin get his adrenaline rush and pedal
on his own.
The next time
Alexis sees Austin, it’s on a slab at the morgue–the victim of a hit-and-run
accident. Being a dispassionate scientist, Alexis both identifies and briefly
examines Austin’s body. There’s something vaguely unsettling about it, but she
can’t quite determine why. In the meantime, Captain Nguyen and a detective
named Quang, are investigating the unrelated death of a cab driver and Pham, a
female lab technician. In thrillers, of course, this is more than random
background detail.
I give away nothing
when I tell you that Austin was not entirely whom he seemed to be. That’s clear
early on. At each step of her way through shock, grief, and being sucked into
the mystery, Alexis finds inconsistency and fabrication in everything about
Austin. The Red Lotus evolves from romance and tragedy into a
who-do-you-trust tale that involves rats, darts, a potential global pandemic,
and a surprise interlocutor. As in such novels, Alexis is a latter-day Pandora who
keeps opening doors she shouldn’t. Give Bojhalian credit, though; Alexis’
actions are consistent with a person used to trusting her reason and now trying
to sort out what is logical and what is grief. After all, Alexis knows way more
about patching up gunshot victims than in dealing with her own emotions.
She’s so torn that
she hires an ex-cop detective, Ken Serafin, who is a friend of the father of
Sally Gleason, one of Austin’s supervisors.
In thrillers, no one ever hires a detective and fades into the woodwork.
Alexis conducts a parallel investigation by talking with more of Austin’s
coworkers–even his replacement and the hospital’s administrative head. Nothing
adds up. Did Austin know Pham? Who is Douglas Webber, a name that keeps popping
up? What can she tell Austin’s parents and how much can she raise questions
about him? It’s enough to make a bad night in the ER seem relaxing. And so it
might, were it not that some kind of pandemic might be at the root of a lot of
things. Or not.
Chris Bojhalian
isn’t a high-toned novelist, but few rival him for embedding suspense within
domestic relations. He’s also very good at puzzles, as in punching out small
pieces that seem insignificant until you realize each is necessary for the
picture to cohere. This makes Bojhalian eminently more readable than
paint-by-the-numbers thriller writers even though, truth be told, he uses most
of the same devices and resolutions.
The Red Lotus releases on St. Patrick’s Day, though were
it not for the Covid-19 virus, that release date would otherwise seem
premature. It is the sort of novel that has “beach read” written all over it.
Here’s hoping, though, that by summer we will have a handle on the virus and
you can shade yourself under a seaside umbrella and enjoy The Red Lotus
as speculative, not a crystal ball.
Rob Weir
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