Making a list of the top ten films of 2011 is a bit like compiling the most nutritious junk foods for the National Institute of Health. In a better film year most of these films would have struggled to make the list and my top film, Rabbit Hole, would have been a bottom-of-the-pack choice. The best films I saw last year were all restored prints of classics: Les enfants du paradis (1945), Les diaboliques (1955), All About Eve (1950)…
The Academy Awards has the weird idea that a film is considered a 2011 film if it opens in either La-La -Land or New York before December 31. We take the view that a 2011 film is one that opened in a place called “the United States” during 2011, even if was made the year before; hence some on this list were considered for awards last year (which merely underscores the paucity of quality for 2011).
10 (tie): The Greatest Movie Ever Sold and Exit through the Gift Shop. Both of these quirky documentaries reveal how buzz can be manufactured and marketed, the first by exposing the role of product placement, and the second by showing how life literally follows art. A metaphor for why today’s culture is often more hype than substance?
9. My Week with Marilyn: Not a deep film, but Michelle Williams is stunning as Marilyn Monroe, and a talented cast transforms a slight script.
8. The Illusionist: A charming (and nearly silent) animated film about the dying days of vaudeville and a middle-aged magician’s big heart.
7. Melancholia: If the apocalypse is this beautiful, bring it on! This film is everything Malick’s Tree of Life wasn’t. That list begins with the word “interesting.”
6. The Hedgehog: A rare instance in which the film of a popular novel is equally good and the liberties taken work. Learn why 11-year-old Paloma wants to kill herself when she turns 12, and why she might change her mind.
5. Martha Marcy Mae Marlene: A stunning performance from the luminous Elizabeth Olsen in a creepy film about the allure of cults. Redemption or damnation?
4. Phil Ochs: There But for Fortune: A smart documentary about the late protest singer Phil Ochs that shows the power, the glory, and the hubris. Ochs was flawed, but we sure could use his voice now.
3. Blue Valentine: If you need more proof that Michelle Williams is the real deal, this will provide it. She and Ryan Gosling play a matched set that manages to clash in a relationship that should be, but never quite is.
2. Another Year: This superb British film from last year didn’t do much at the box office because it’s strictly an adult film, and it stars veteran actors long past their pretty boy/pretty girl prime. It’s Mike Leigh’s take on how the middle class and working class live in such radically different worlds that even the well intentioned manage to miscommunicate.
1. Rabbit Hole: Nicole Kidman has made herself into a fine actress, which she demonstrates in this family tragedy. What happens when a dream world shatters? Where does one find solace? A film long on hope and short on tidy resolutions. It deserves top dog status for avoiding clichés and fairy tale endings.
Note: There are longer reviews of most of these films on the blog. Click on the movie madness list (left hand side of the home page) to see individual reviews.
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