HAMNET (2025)
Directed by ChloƩ Zhao
Focus Features, 126 minutes, PG-13 (adult situations, hint of nudity)
★★★★
You’ve no doubt heard that actress Jesse Buckley won the Golden Globe award for Best Actress for her portrayal of Agnes Hathaway, the wife of William Shakespeare and the mother of his three children: Susanna, and twins Judith and Hamnet. If you don’t know, Hamnet was an alternative spelling of Hamlet.
Hamnet the film is that is not a biographical study. It’s a play within a play within a play, though director and Mount Holyoke graduate ChloĆ© Zhao disguises it so well you might assume it’s a historical look at the Shakespeare family. William Shakespeare may be the most famous Westerner of all time about whom we know so little. He is presumed to have written the greatest plays in the English language, but the key word is “presumed.” Anti-Stratfordians do not believe that a man from such a humble background could have written such words and put forth as the real author such properly educated gentlemen as Earl of Oxford Edmund de Vere, Sir Francis Bacon, Christopher Marlowe, King James I, Sir Walter Raleigh, or Christopher Marlowe. Some even claim that Shakespeare was a woman (Countess of Pembroke Mary Sidney, Queen Elizabeth I, Mary Queen of Scots, Agnes Shakespeare); or perhaps a group of people ranging from known writers to Jesuits or Rosicrucians. Some 88 people have been fingered for what would be the greatest literary fraud in Western history.
I’ve no desire to open such debates, though the Anti-Stratfordians could easily be accused of arrogantly assuming that no one not to the manor born could be a genius. Again, though, we know very little of the historical William Shakespeare beyond his birth in Stratford-upon-Avon, England, in 1564 and his death there in 1616. The movie Hamnet, though, focuses on the Bard’s wife, who we used to call “Anne” Hathaway but now believe was named Agnes. When she married in 1582, Agnes was 26 and "Will" (Paul Mescal) was barely 18. Age differences were usually the other way around, but Will’s relative youth would have been unusual at the time.
Hamnet is beautifully acted, with Buckley’s grief one of the rawest and most convincing depictions of abject sorrow I’ve seen in quite a while. Mescal gives us a tortured look at writer’s block, but he and Buckley generate considerable heat of a couple who began married life as passionate lovers. Of the two, Buckley’s character is more complex. Her late mother was rumored to be a forest witch and Agnes didn’t all far from the creepy tree that factors into the story. Agnes is literally a child of nature, with gifts of herbalism, taming hawks, and prognostication though the latter power isn’t always on the money. Her brother Bartholomew (Joe Alwyn) is her greatest champion and becomes a good friend to Will. (If Alwyn’s name sounds familiar, any female under the age of 30 can tell you he was Taylor Swift’s boyfriend for six years!) David Wilmot and Emily Watson turn in solid performances as Will’s parents, but the children are the anchor of the family tragedy. Susannah (Bodhi Rae Breathnach), the eldest, is her mother’s helpmate and pupil when Will is in London, and the twins (Jacobi Jupe and Olivia Lynes) are so simpatico that when Judith is thought to be dying of bubonic plague, Hamnet sees Death coming, offers his life for hers, and dies in her place. Hamnet’s experience as a shadow portends Hamlet’s in his father’s play, which we see acted out at the Globe Theatre. To add the third level of fiction, though we can assume that Hamnet’s death gutted his parents, the film’s drama comes from Maggie O’Farrell’s novel, not historical accounts.
Nor do we have any records of Agnes witnessing a staging of Hamlet. If you want to find other inaccuracies, they can be unearthed. It is quite unlikely that Agnes could read or write, let alone each of the children. Hamnet died at age 11, but probably not of the plague as no outbreak was rampant at the time. Screen wipes show the passage of time but the time frames don’t always make sense. Speaking of not making sense, the film doesn’t show Will or Agnes ageing–or Agnes having ever changed her red dress–though a dozen years would have passed before the very affecting emotional climax, which would not have gone down the way it was filmed.
All this said, Hamnet is a very good movie. But call it a romantic drama, not history.
Rob Weir