Sully (2016)
Directed by Clint
Eastwood
Warner Brothers, 96
minutes, PG-13
★★★
My aversion to malls is well documented, which means I often
see mall films on DVD long after they've departed the cinemas. And, yes, I usually
watch DVDs rather than downloads because my house is surrounded by
signal-sucking trees. Consider this a video review.
Unless you live under a rock, you are aware of the basics of
this story. On January 15, 2009, a US Airways Airbus A320 took off from
New York's LaGuardia Airport and climbed to 2,800 feet before slamming into a flock of geese that
took out its engines. Captain Chesley ("Sully") Sullenberger made a
successful emergency landing in the icy Hudson River. Miraculously, all 155
people on board were rescued.
Sounds like great stuff for a feature film, doesn't it? Not
really. Hollywood films trade in drama and melodrama. There is no drama in Sully because we already know the
outcome. Director Clint Eastwood tries to whip up a bit of drama by emphasizing
mobility challenged passengers, by showing us Sully (Tom Hanks) walking down the
watery aisle of his plane as co-pilot Jeff Skiles (Aaron Eckhart) urges him to
abandon the plane lest the plane sink with
Sully on it, and by focusing on first responders. Well, we also know the plane
didn't sink. We also know that the captain being the last person to abandon
ship is a standard movie trope. In other words, because there is no drama,
melodrama must suffice. This is especially the case when Eastwood portrays
first responders as if the downed Airbus was 9/11-Upon-Hudson.
You will notice that the film is just 96 minutes long.
That's really as much as Eastwood could stretch the material, and even then we flash
back to Sully's boyhood before Eastwood fixates on the part of the historical
record that is less known. Although the public immediately hailed Sully as a
hero, the National Transportation Board was uncertain he deserved that status.
They ran several computer scenarios that showed Sully had time to land to land
at either of two nearby airports. Were that true, Sully would have been guilty
of recklessly endangering the passengers and crew. If you followed the story,
you know what happened with that; if you've not, I won't spoil your only
unknown.
The drama might have been helped had Hanks been half as
animated as Eckhart. Hanks portrays Sully as clinically analytical, phlegmatic,
and stoic. Sully might indeed be a hero, but Hanks' emotional impact is
akin to that of Mr. Spock. (The real Sully seems much warmer than Hanks plays
him.) Eckhart out does Hanks and whips up the annoyed anger one
might expect from a person immediately dragged before an inquiry board after coming within
a whisper of losing his life and that of 154 others.
Eastwood deserves credit for putting us in the pilot's chair
for those "What would I have done?" moments. Likewise, the sets and
cinematography add loud notes of verisimilitude. The film was nominated for a
slew of awards and won a few, but none of the acclaim was really merited; quite
a lot came from committees seeking to honor Captain Sullenberger, not this
movie. What we really have is a movie that could have been a made-for-TV
special. Sully isn't a bad film by
any means; it's mostly a bit of vicarious escapism. If you've not already seen
it, there are worse ways to wile away a dark winter's night. Just don't watch
it if you plan to fly anywhere in the near future!
Rob Weir
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