The It Girl Ruth Ware's Lastest Mystery

 

 

THE IT GIRL (2021)

By Ruth Ware

Scout Press (Simon & Schuster) 389 pages.

★★★★

 

 

 

Do you prefer drama or melodrama? If you don’t care, The It Girl is a murder mystery you will enjoy. Few modern authors can spin a tale as well as Ruth Ware. At her best, readers scarcely notice when Ware transgresses the drama/melodrama border; when the storyline is weak—think The Woman in Cabin 10 (2016)—we do. Luckily, The It Girl falls into the first category.

 

The term “It Girl” originated in the film industry. Evelyn Nesbit (1885-1967) is considered the first Hollywood It Girl, though the most famous was 1920s starlet Clara Bow. It Girl conjures an ingénue who is sexually alluring and draws a crowd. That’s April Clarke-Cliveden in a nutshell in this 21^st century story set at Oxford University’s Pelham College. April seemingly has it all going on; she’s filthy rich, smart, beautiful, and a good actress. Never mind that she’s also pampered, privileged, vain, drinks too much, and is occasionally cruel. 

 

Against usual odds, her assigned first-year roomie at Pelham College is Hannah Jones, a rare working-class Oxfordian whose background necessitated working at a supermarket before coming to university. Against even greater odds, April becomes Hannah’s best friend and Hannah need not worry about pocket change any more; April thinks nothing of lending or giving Hannah designer frocks and shoes worth a small fortune. April becomes Hannah’s entrée into social circles she’d never crack on her own. Not surprisingly, many of them are men, especially medical student Hugh Bland, economy undergrad Ryan Coates, and hunky Will de Chastaigne, allegedly April’s boyfriend, though she’s so flirtatious that her sexual mores are hazy.

 

Ware applies a “Before” and “After” structure for much of the book, the “Before” largely confined to a single year at Oxford (2012) and “After” a decade later. The Oxford sections are light on serious studies and heavy on pub-crawls, pushing boundaries, and Hannah’s transformation from a mousy frump to a vivacious wit and intellect. It is also fraught with encounters with an older porter, John Neville, who is too familiar and has a creepy tendency of appearing in inappropriate places. But the only known strain in Hannah and April’s friendship is frisson between Hannah and Will. The Oxford experience collapses when April is strangled in her room and Neville is arrested for her murder, partly on Hannah’s testimony that he was the only person leaving the building after she discovered April’s body. 

 

In the “After” sections, Hannah and Will are married, living in Edinburgh, and expecting a baby. Will is a reluctant accountant; Hannah works in a bookstore, having left Oxford without her degree after April’s death. (She was too shattered by April’s death.) A big reason for moving to Scotland was to escape the endless hounding of journalists seeking her take on the death of the It Girl. Hannah’s been working on trauma recovery and is doing okay—though she occasionally thinks she has “seen” April­­-–until the cycle starts anew upon Neville’s death in prison. To his dying day, Neville proclaimed his innocence and Ryan, who had been a journalist before he had a stroke, thinks Neville might have been wronged. Ryan’s newshound friend Geraint discovered that none of Neville’s DNA was found on April’s body and there were other inconsistencies that cast doubt on the verdict.

 

A heavily pregnant Hannah travels back to Oxford to reopen a sealed can of worms, not that raging hormones, high blood pressure, and old wounds make for logical thinking. At around this juncture, Ware switches to a “Before” and “Before” format in which hours and days are in play, not a decade. Hannah discovers many things about her old friends, a mentor, and April that further muddle her perceptions. The novel concludes with a beat-the-clock chase and confrontation. If you ponder the latter too much, you might perceive that Ware careens into melodrama. Ditto the introduction of one of April’s family members who is more convenient than believable.

 

And yet… The It Girl is a classic page-turner that most readers will zip through in a sitting or two. Even when the plot turns obvious, Ware twists matters just enough to keep those pages turning. This novel is too new to have “Soon to be a Motion Picture” emblazoned on its cover, but I suspect it’s just a matter of time.

 

Rob Weir