RANI ARBO & daisy
mayhem
Violets are Blue
Signature 2074
* * * *
"Americana" is such an ambiguous label that it
often seems to connote little more than a song sung in English. If, on the
other hand, we use the term to denote the ways in which American music
cross-fertilizes, surely daisy mayhem is among the best exemplars of Americana.
Rani Arbo reminds me of Nanci Griffith–not the voice, but in the way each
chooses music that inspires them and let others fret over what to call it. You
know you're on a unique ride from the start; Violets are Blue opens with an Arbo original, "Heart of the
World," that unfurls with just Arbo's voice and Scott Kessel's percussion
before any other instruments appear. With Kessel, though, you can be sure there
will be twists. Want to know what happens to the junk you throw away? Kessel
retrieves it and adds it to his ever-evolving collection of things upon which
to bang. The band follows with an Appalachian-influenced song ("Down by
the Water"), a bit of country folk–Arbo's "Keep it in Mind"
would feel at home on a Bill Staines album–and then the hard-driving
"Around the Wheel," with especially crisp work from bassist Andrew
Kinsey and fret meister Anand Nayak. Still to come is music with a decided
mountain feel ("You Should See Me Now"), the Cajun-flavored "Swing
Me Down") a splash of honky tonk ("Over and Over"), some torchy
blues ("I'm Satisfied with You"), and a cover of May Erlewine's
"I Love this City" that reminds us that folks from the Delta created
the Motown sound. If pure acoustic folk is your thing, Ms. Arbo has penned two
gorgeous songs for this album: "Piece of Land," whose tune is faintly
reminiscent of the opening strains of Harry Chapin's "Cats in the
Cradle;" and "Sweet and Bitter," a heartbreakingly lovely song
about love tinged with uncertainty. The latter is the album's final track, but
in many ways it's the theme song. The very title of Violets are Blue is clever wordplay, as is most of the album's
selections touch upon affairs the heart. Kinsey, however, correctly notes that
they are "sugar-free love songs." About what we'd expect from this
topnotch, mature string band with its superb musicianship, tight harmonies,
solid rhythms, and grown-up takes on life. Everyone in the band can/does sing
and occasionally one of the lads takes the lead, but there just isn't too much
that compares to Rani Arbo, one of the most distinctive voices in the business.
Fifteen years on the road has just made it better and the journey seems to have
nourished her Americana soul as well.
Rob Weir
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