Okay for Now.
Gary Schmidt
New York: Clarion Books, 2011.
Joe Pepitone, Aaron Copeland, and James Audubon are three
names that are unlikely to occupy a lot of space in the average teenaged
consciousness. Given that all three are major tropes in Gary Schmidt’s Okay for Now, one wonders whether it’s
accurate to call it the “young adult” novel it’s marketed to be. I’d say
probably not, but it’s a pretty gripping story no matter how one labels its
genre.
The novel is set in 1968, the year fourteen-year-old Doug
Swieteck and his family are uprooted from their home on Long Island by their
shiftless father and plunked down in the hamlet of Marysville in the Catskills.
Doug’s old man is a violent, hard-drinking, no-account loser, as is his bad boy
middle brother, a petty thief and fulltime sadist. Older brother, Lucas, is in
Vietnam–one of the many working-class poor kids sent as jungle fodder for
American imperial ambitions. Relocation to “stupid Marysville,” as Doug calls
it, removes him from two of the three things he loves: his closest friends, and
the hope of attending a game at Yankee Stadium. Young Doug is a diehard Yankees
fan whose one moment of glory in an otherwise dire teen life was a chance
encounter with first baseman Joe Pepitone, who gave Doug his hat. (Which his
brother stole and destroyed.) Call Doug’s worship of Pepitone a metaphor for
Doug’s life–the chronically underachieving Pepitone was the face of the
franchise of really, really bad Yankees teams of the mid- and late-60s. (He hit
just .251 with 13 homers and 64 RBIs in 1967, the year of his fictional
encounter with Swieteck.) The other thing Doug loves is his mother, a kindly
woman who tries her best to insulate Doug from his father’s wrath and bears the
marks of his violence. Doug also literally bears a cruel stigma of his
affection for his mother, not to mention the scars of delayed educational and
social development.
It would be a gross understatement to say that Doug doesn’t
have much going for him. As it turns out, though, “stupid Marysville” has some
surprises in store. Despite his father’s brutishness and class-based oppression
psychosis, Doug will encounter some people who will change his life–his
father’s paternalist boss, a gym teacher with demons of his own, an eccentric
writer with a fondness for art and music, and a caring teacher. Above all,
he’ll find Lil Spicer, who becomes a serious 7th grade crush, and a
librarian who introduces Doug to the works of John James Audubon. In sketching
Audubon’s birds Doug finds hidden talents, a positive outlet for his
long-suffering patience, and metaphors for his life.
As I said, not exactly the sort of fare one would expect the
average young person to consume. I
would, however, expect teens to relate to Schmidt’s prose. He simply nails the
attitudes, language, and carriage of burgeoning adolescence. Schmidt’s ability
to paint a portrait of the interior of teenaged minds rivals that of novelists
such as Mark Haddon, Muriel Barbery, and Nick Hornby. He also describes
Marysville and the Audubon prints with such clarity that they animate and
become characters in their own right. This would be a wonderful book to read and
discuss with a young person. It would take some adult input to explain (and
perhaps mutually explore) some of the references in the book, but adults will
also admire this book and parts of it will take them back to their own
frightful junior high days. (The junior high principal alone will make your
skin crawl.) High marks for Schmidt for writing a book that’s equal parts tough
and hopeful, smart and easy to read, compelling and real.