The Golden Cage (2020)
By Camilla Läckberg
Alfred A. Knopf, 300
pages.
★
Where is the line
between a steamy romance novel and soft porn? I’m not certain, but I’m sure
that Camilla Läckberg (Jean Edith
Camilla Eriksson) crossed it. Her
newest novel, The Golden Cage, came with promo telling me that this Swedish
crime fiction writer has written a dozen and a half novels that have been
translated into 40 languages, so I guess her formula is working for her. It’s
not working for me. I needed a shower after reading The Golden Cage and
it wasn’t a cold one.
Many English
speakers will recognize the title as a reference to living in a situation that inspires
envy by outsiders but is actually a prison for those on the inside. Betty
Friedan used it in her definitive feminist work The Feminine Mystique. More
on Friedan in a moment.
Unless one is born
into obscene wealth, most gilded cage occupants were once the envious ones on
the outside. This is certainly the case for the novel’s putative heroine, Faye.
She was actually born as Matilda, but assumed a new identity when she fled from
a dark family secret in her native Fjälbacka, relocated to the anonymity of Stockholm, and reinvented herself. (Ironically,
Läckberg lives in Fjälbacka.) In Stockholm Faye struggles at
first, then acquires both a boyfriend and a BFF named Chris. The boyfriend has
to go when Faye first feasts her eyes–and I’m being kind about the relevant
body part–on Jack Adelheim, whom she identifies as both hot and a high flyer.
Faye helps him build Compare, a marketing firm, and before you can say “knickers
off,” they are filthy rich and the envy of their nouveau riche peers. It’s a dream
life, but one that changes when Faye gives birth to Julienne and Jack becomes a
workaholic and sexist pig. Faye abases herself to try to please Jack, but he’s
soon addicted to porn and sleeping with half of Stockholm, before Faye
discovers him with Ylva, a younger version of herself.
At this point, The
Golden Cage becomes a revenge novel masquerading as feminist. Faye once
again reinvents herself and launches a beauty product line named–you guessed
it–Revenge. She draws investors from loads of women, including her landlord
Kersten, who have one thing in common: Each has been screwed over by a man or
two or more. At this juncture I should say that I “get” it. Millions of women
have been abused (psychologically, physically, or both) by men and there’s no
excusing it under the rubric of “the way things used to be.” Faye’s plan to
avenge Jack’s sexism is, to say the least, unique.
All of this raises
the question of whether this novel is feminist or just trashy. Jack is a truly despicable
human being, but there is exactly one male character in the book who is
anything more than a cardboard cutout chauvinist: Chris’ boyfriend Johan. There
is also the question of what is morally justifiable. One theory claims there is no such thing as reverse sexism; another that says neither misogyny
nor misandry is morally justifiable. If only these were the sole choices in Läckberg’s novel. Hers is a troubling amoral version
of feminism, and almost none of how Läckberg extricates women from their golden cage is what Betty Friedan
would have condoned.
The phrase “revenge
is a dish best served cold” comes from Pierre Chordelos de Laclos in the novel
whose English title is Dangerous Liaisons. Perhaps you’ve seen the wonderful
1988 film of that title, where the revenge is both frosty and complex. Now
would be the time to say that Camilla Läckberg is no Pierre Chordelos de Laclos. A list of what The Golden
Cage lacks would include wit, verisimilitude, and suspense. There is,
however, crime. And let us not forget soft porn. Had I read the phrase “wet
between the legs” one more time in relation to Faye, I might have hurled this
book across the room despite the fact that it was loaded onto my iPad. In the
opening line of my review I asked where the line is drawn between steamy
romance and porn. Perhaps this novel reads better in Swedish but from where I
sit, it’s not worth making distinctions. In English, The Golden Cage is
trashy pyrite pulp.
Rob Weir